someone recommend me some good fantasy books that aren’t centred on a war, please, my crops are dying
The Greta Helsing novels by Vivian Shaw - practical doctor to the undead defeats mildly ominous interdimensional threats with the aid of domestic vampires and a demon accountant.
Sunshine by Robin McKinley - practical baker is captured by vampires, escapes, reluctantly teams up with better vampire to kill the bad one.
Howl’s Moving Castle by Diana Wynne Jones - young hat maker ages 60 years overnight, proceeds to upend the life of a disaster wizard while learning self-confidence.
the Discworld novels by Terry Pratchett - hard to encapsulate, but equally funny and hard-hitting, tackling race and gender and corruption and other forms of inequality while also, like, making fun of post offices and Hollywood and Shakespeare. Three or four tackle war, true, but there’s something like 35 others to choose from.
the Accidental Turn series by J.M. Frey - recent Ph.D of colour lands in the Fantasyland™ she did her thesis on, goes off about agency and diversity while recovering from the Dark Lord’s attentions and learning the truth about her fictional crush.
Middlegame by Seanan McGuire - evil alchemist creates superpowered children to assist world takeover; children just want to be a family; family is complicated.
Spinning Silver by Naomi Novik - young woman takes over family business, must outwit fairies with a love of gold.
the Enchanted Forest Chronicles by Patricia C. Wrede - princess runs away to become a dragon’s housekeeper, fights off rescuers, solves problems large and small, melts wizards.
the October Daye novels by Seanan Mcguire - Half-fae detective solves murders, finds missing persons, develops found family, can’t stop self from upending the social order.
The Golem and the Djinni by Helene Wecker - A quiet golem, a tempestuous djinn, Gilded Age New York. Immigrants, identity, friendship, hope, and self-discovery.
An Unkindness of Magicians by Kat Howard - A witch from an outsider House enters New York’s magical Hunger Games, to prove a point. The problems of magic were not intended.
Zoo City by Lauren Beukes - Part-time con artist gets hired to find two missing pop stars, with the help of the magical sloth on her back. Noir ensues.
Child of a Hidden Sea by A.M. Dellamonica - Nature photographer lands on water-world, discovers lost family, tries to convince self magic is impossible.
Gods Behaving Badly by Marie Phillips - Greek gods, washed up in North London, curse Apollo to fall for the cleaner. Existential crisis, meet rom-com.
Among Others by Jo Walton - Loner teen sent to boarding school, discovers science fiction, might know fairies and do magic.
Tooth and Claw by Jo Walton - Austenesque story except all the characters are dragons.
Every Heart a Doorway (and sequels) by Seanan McGuire - the children of portal fantasy end up in boarding school coping with being kicked out of their various worlds, then some of them start getting murdered.
The Gracekeepers by Kirsty Logan - the world is flooded, there’s a lady who works with a bear at a circus that sails to different places to perform, and a lady who is sort of an undertaker, and they fall in love
Lud-in-the-Mist by Hope Mirrlees - there are fairies but no one talks about them anymore because That’s Just Not How We Are except this state of affairs cannot possibly last and people start getting lured to fairyland
The Goblin Emperor by Katherine Addison - fifth son of emperor who’s lived his whole life away from court abruptly becomes emperor when his father and older brothers are killed in an accident, spends entire book trying to make friends and figure how the fuck to do a) confidence and b) ruling ethically
The Various by Steven Augarde - girl spends summer at uncle’s farm, finds the group of “various” (no direct parallel, but think somewhere between gnomes and pixies) that live in the woods, mysterious history, flying horse, The Cat Is Evil (this is technically middle grade but it’s so good I can’t even)
Turning Darkness Into Light by Marie Brennan - working on the translation of an ancient text is complicated when it might have a huge impact on the public perception of a highly stigmatised group; subterfuge, found family, mythology, and the rejection of men who steal other people’s work.
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