when you’re in your twenties and start to realize how young the protagonists of the novels you read are:

when you’re in your twenties and start to realize how young the protagonists of the novels you read are:

And at some point the protagonist goes,

And you just go,

Lumiere London
www.armaturenine.com
Introducing the new v.2016 of Armature Nine. Now made with wood.
IS THAT A SHARK?
if you watch any video today it needs to be this one
I LOVE THIS NEWSCAST AND IM NOT EVEN FROM AUSTRALIA.
My favourite thing is when Australians are talking about their deadly wildlife
DYING RN
I love the laughter from the background about his shocked face.
what?
Skull poop L?
what is this really supposed to mean tho
Dea poo L
Deaadpool advertising is really weird.
Isn’t there one that makes it look like some chick flick too?
Yes

fuckin love all of this nonsense
don’t forget this gem

so apparently ryan reynolds told fox they didnt have the balls to put up the emoji one

also there is the dick joke one

and the one they made in response to people misinterpreting the emoji one

@agenthgwells λιγοτερο απο μηνα
The dick joke one is my lockscreen 😂
The Fall
Filmed piecemeal over four years and across at least twenty countries, funded in great part (millions of dollars great) by the director himself, The Fall is perhaps the definition of a passion project. It’s unwieldy, strange, jumbled, and, despite its epic scale, intensely personal, so if you can’t get on its wavelength it must seem mighty insufferable. But if you’re ready for it, if you can find yourself inside the film, its story is not only a powerful and moving depiction of how storytelling, and in particular, filmmaking, can save a person’s life, but a grand vision of how the world is, and how it should be. Visually spectacular (not a single landscape computer generated, so says Singh), it plays to Singh’s strength in imagery, letting it overtake the storytelling when words become too small to say what he needs them to say. In the end, its these images that express the goal that Singh was aiming for; to make the personal a dialogue, to invite the audience into something that can become their’s as well. When Catinca Untaru, playing a little girl enveloped by bed-ridden actor Lee Pace’s story, asks him why he’s killing all the heroes in the fantasy, Pace responds, “It’s my story.” He’s the self-indulgent filmmaker. But then she responds, “It’s my story too,” and we understand. There is no other movie like it.
A long time ago, in the underground realm, where there are no lies or pain, there lived a Princess who dreamed of the human world…