The Skellingcorner

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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
abschaumno1
james-winston

The Titanoboa, is a 48ft long snake dating from around 60-58million years ago. It had a rib cage 2ft wide, allowing it to eat whole crocodiles, and surrounding the ribcage were muscles so powerful that it could crush a rhino. Titanoboa was so big it couldn’t even spend long amounts of time on land, because the force of gravity acting on it would cause it to suffocate under its own weight.

billybatsonandjameshowlettsbro

I’m so glad they aren’t around

cosmicallycosmopolitan

omg me too. I’m scared enough of 26 ft long anacondas. I’m so happy Megalodons, those giant sharks, aren’t alive either

billybatsonandjameshowlettsbro

Praise natural selection

poppypicklesticks

I remember watching Walking with Beasts or something similar, or some British tv show about evolution

The subject was something like a 12 foot long water scorpion

I was so startled by its sudden appearance and narration that I yelped: “12 fucking feet?!?!  I’m fucking glad it’s extinct!” 

silvermoon424

Dude, prehistory was home to some fucking TERRIFYING creatures. For some reason, everything back then was enormous and scary. Extinction doesn’t always have to be a bad thing!

And Poppy, what you saw was an arthropod known as Pterygotus (it was actually featured in Walking With Monsters). Not only was it as big (or maybe even bigger) than your average human, it had a stinger the size of a lightbulb. REALLY glad that bugger isn’t around anymore.

Also, Megalodon deserves to be mention again, because just hearing its name makes me want to never be submerged in water ever again.

sashayed

GOD, I HATE THIS POST. HOW DO WE EVEN KNOW THAT SHIT ISN’T STILL AROUND? LURKING? EVOLVING? WE DON’T. WE DON’T KNOW SHIT ABOUT SHIT DOWN THERE. THE OCEAN IS A PRIMEVAL HELLSCAPE NIGHTMARE AND WE ALL JUST DIP OUR STUPID FRAGILE UNPROTECTED FETUS BODIES AROUND THE EDGES OF IT LIKE THAT’S NORMAL. FUCK THE OCEAN.

honey-andrevolution

this is so relevant to my interests 

siphersaysstuff

It wasn’t just the predators. North Carolina was once home to giant ground sloths…

THAT IS A GODDAMNED LEAF-EATING SLOTH.

We’ve got a skeleton of one of these fuckers at the museum downtown, and man, just being NEAR it is unsettling.

anneriawings

DON’T FORGET PREHISTORIC WHALES, SOME OF THOSE FUCKERS WERE TERRIFYING

AMBULOCETUS WAS AMPHIBIOUS AND PRETTY BADASS

BASILOSAURUS WAS THIS GIANT REPTILIAN CETACEAN THAT PROBABLY SWAM LIKE A DUMB EEL BECAUSE OF ITS TINY FLUKES BUT THIS FUCKER WAS 60 FEET LONG AND AT THE TOP OF THE MARINE FOOD CHAIN

AND THEN THERE’S MY FAVORITE, ZYGOPHYSETER, WHICH WAS THIS HUGE EARLY SPERM WHALE THAT ATE SHARKS AND OTHER WHALES

IT WAS NOTHING BUT TEETH

gallizfrey

The reason why the animals in the prehistoric times were so big was because there was much more oxygen in the atmosphere if I recall correctly. Because there was so much oxygen and so few carbon gasses, life on earth was able to grow to terrifying lengths and heights, don’t forget how giant the bugs were.

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lokiwtf

I have never seen so much prime nope in a single post

floralprintpussy

Also important to note that megalodon is theorized to still be alive,possibly living in the darkest depths of the ocean. They haven’t found signs of its extinction

shameless-running-turtle

scientists: “we haven’t seen a megalodon in quite some time now, let’s just hope it’s exstinct”

Source: james-winston
marvellousbee

Famous authors, their writings and their rejection letters.

ramoorebooks

  • Sylvia Plath: There certainly isn’t enough genuine talent for us to take notice.
  • Rudyard Kipling: I’m sorry Mr. Kipling, but you just don’t know how to use the English language.
  • Emily Dickinson: [Your poems] are quite as remarkable for defects as for beauties and are generally devoid of true poetical qualities.
  • Ernest Hemingway (on The Torrents of Spring): It would be extremely rotten taste, to say nothing of being horribly cruel, should we want to publish it.
  • Dr. Seuss: Too different from other juveniles on the market to warrant its selling.
  • The Diary of Anne Frank: The girl doesn’t, it seems to me, have a special perception or feeling which would lift that book above the ‘curiosity’ level.
  • Richard Bach (on Jonathan Livingston Seagull): will never make it as a paperback. (Over 7.25 million copies sold)
  • H.G. Wells (on The War of the Worlds): An endless nightmare. I do not believe it would “take”…I think the verdict would be ‘Oh don’t read that horrid book’. And (on The Time Machine): It is not interesting enough for the general reader and not thorough enough for the scientific reader.
  • Edgar Allan Poe: Readers in this country have a decided and strong preference for works in which a single and connected story occupies the entire volume.
  • Herman Melville (on Moby Dick): We regret to say that our united opinion is entirely against the book as we do not think it would be at all suitable for the Juvenile Market in [England]. It is very long, rather old-fashioned…
  • Jack London: [Your book is] forbidding and depressing.
  • William Faulkner: If the book had a plot and structure, we might suggest shortening and revisions, but it is so diffuse that I don’t think this would be of any use. My chief objection is that you don’t have any story to tell. And two years later: Good God, I can’t publish this!
  • Stephen King (on Carrie): We are not interested in science fiction which deals with negative utopias. They do not sell.
  • Joseph Heller (on Catch–22): I haven’t really the foggiest idea about what the man is trying to say… Apparently the author intends it to be funny – possibly even satire – but it is really not funny on any intellectual level … From your long publishing experience you will know that it is less disastrous to turn down a work of genius than to turn down talented mediocrities.
  • George Orwell (on Animal Farm): It is impossible to sell animal stories in the USA.
  • Oscar Wilde (on Lady Windermere’s Fan): My dear sir, I have read your manuscript. Oh, my dear sir.
  • Vladimir Nabokov (on Lolita): … overwhelmingly nauseating, even to an enlightened Freudian … the whole thing is an unsure cross between hideous reality and improbable fantasy. It often becomes a wild neurotic daydream … I recommend that it be buried under a stone for a thousand years.
  • The Tale of Peter Rabbit was turned down so many times, Beatrix Potter initially self-published it.
  • Lust for Life by Irving Stone was rejected 16 times, but found a publisher and went on to sell about 25 million copies.
  • John Grisham’s first novel was rejected 25 times.
  • Jack Canfield and Mark Victor Hansen (Chicken Soup for the Soul) received 134 rejections.
  • Robert Pirsig (Zen and the Art of Motorcycle Maintenance) received 121 rejections.
  • Gertrude Stein spent 22 years submitting before getting a single poem accepted.
  • Judy Blume, beloved by children everywhere, received rejections for two straight years.
  • A Wrinkle in Time by Madeline L’Engle received 26 rejections.
  • Frank Herbert’s Dune was rejected 20 times.
  • Carrie by Stephen King received 30 rejections.
  • The Diary of Anne Frank received 16 rejections.
  • Harry Potter and The Philosopher’s Stone by J.K. Rolling was rejected 12 times.
  • Dr. Seuss received 27 rejection letters
cidermoon

Now this…THIS inspires me.

studyingmeblr

Don’t give up people.

Source: ramoorebooks.com
sweetlittlevampire

23 Emotions people feel, but can’t explain

tai-korczak

  1. Sonder: The realization that each passerby has a life as vivid and complex as your own.
  2. Opia: The ambiguous intensity of Looking someone in the eye, which can feel simultaneously invasive and vulnerable.
  3. Monachopsis: The subtle but persistent feeling of being out of place.
  4. Énouement: The bittersweetness of having arrived in the future, seeing how things turn out, but not being able to tell your past self.
  5. Vellichor: The strange wistfulness of used bookshops.
  6. Rubatosis: The unsettling awareness of your own heartbeat.
  7. Kenopsia: The eerie, forlorn atmosphere of a place that is usually bustling with people but is now abandoned and quiet.
  8. Mauerbauertraurigkeit: The inexplicable urge to push people away, even close friends who you really like.
  9. Jouska: A hypothetical conversation that you compulsively play out in your head.
  10. Chrysalism: The amniotic tranquility of being indoors during a thunderstorm.
  11. Vemödalen: The frustration of photographic something amazing when thousands of identical photos already exist.
  12. Anecdoche: A conversation in which everyone is talking, but nobody is listening
  13. Ellipsism: A sadness that you’ll never be able to know how history will turn out.
  14. Kuebiko: A state of exhaustion inspired by acts of senseless violence.
  15. Lachesism: The desire to be struck by disaster – to survive a plane crash, or to lose everything in a fire.
  16. Exulansis: The tendency to give up trying to talk about an experience because people are unable to relate to it.
  17. Adronitis: Frustration with how long it takes to get to know someone.
  18. Rückkehrunruhe: The feeling of returning home after an immersive trip only to find it fading rapidly from your awareness.
  19. Nodus Tollens: The realization that the plot of your life doesn’t make sense to you anymore.
  20. Onism: The frustration of being stuck in just one body, that inhabits only one place at a time.
  21. Liberosis: The desire to care less about things.
  22. Altschmerz: Weariness with the same old issues that you’ve always had – the same boring flaws and anxieties that you’ve been gnawing on for years.
  23. Occhiolism: The awareness of the smallness of your perspective.
2dbean

I must reblog beautiful words and ideas.

Source: tai-korczak
Writing