Don’t slap pandas
I’m crying…🤣🤣🤣
pls don’t slap pandas :(
Enchantress: I turn you into a hideous Beast. What are the names of your servants?
The Prince: Lumiere, Cogsworth, Mrs. Potts -
Enchantress:
I BURST OUT FUCKING LAUGHING OMG
I found a TTS voice that was perfect for an audio version of this post.
1) I’m fucking astounded this is a robot voice.
2) I’m fucking losing my mind laughing.
IT’S TIME FOR THIS AGAIN
Okay, so a fic where Harry finds out that his animagus is a tiny little black kitten, and he’s all like, ‘shit son, this is my chance to stay out after curfew’ but then he’s out one night, and McGonagall finds him and immediately knows it’s him, and just picks him up by the scruff of his neck to deliver his naughty ass back to G Tower while Harry meows at her in indignation.
okay but this is so adorable
I can only see this
brb sCREAMING
Edith Head’s rendering and costume for Grace Kelly’s portrayal of Lisa Carol Fremont in ‘Rear Window’. —�
#whattheywore #historicalfashion #fashion #fashiondesign #fashionhistory #historyoffashion #vintagefashion #art #vintage #historicfashion #defunctfashion #historicalfashion #costume #costumedesign #costumehistory #1950sFashion #edithhead #gracekelly #filmcostume #rearwindow #alfredhitchcock
technically we’re ALL, always LARPing, because the Self is only a construct,
I want a new character
So I went to an art conference at my school. We discussed things there, like how colors can be very powerful and our subconscious picks up the subtlest of hints. Pixar’s UP was a very unforgettable example. The colors of UP had a lot to do with why we cried. You all know what I’m talking about, right??
Ellie’s death.
We were told that her color was pink. That’s why her hospital room had pinkish hue.
And the next scene had strong pink hues. He misses her. I think it’s got strong colors because of her personality.
Also, It’s like her presence is still lingering.
When he got home, only a small part of the frame (window on the right) has a pink hue as the sun is setting. By now, we know her presence is drifting away.
Mr. Fredricksen walks up the porch and goes into his house.
And when he shuts the door, the final frame looks like this:
Ellie is gone.
The entire frame is desaturated and cold because the warmth in Mr. Fredrickson’s life is gone.
And that’s another reason why this masterpiece is heart-wrenching. And that’s how powerful colors are in films.
Thanks, I hate it!
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