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[The Skellingcorner]

Quick And Dirty Tips For Creating Subplots

[lianabrooks]

– Not everyone should love the hero.

– The more antagonists you have the more conflicts you create.

– Real life should happen to the characters, even if they are saving the world they have jobs and responsibilities.

– Give the character interests and friends outside of work.

– Multiple point of views aren’t a bad thing if you know how to juggle them.

– It all needs to come together at the end.

– Not every antagonist needs to be vanquished at the end.

– – Give us more than one character to love– (from Diantha)

— Make each and every character count — (from Diantha)

Stories need subplots. Make sure yours has one.

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[ddaaffttppuunnkk]

WHY DOES THIS WORK SO WELL

Mash up by - [x]

[spectralsleuth]

I don’t know if i reblogged this yet but I’ve killed five dragons to this song so

[momochanners]

As a lifelong dwarven playa in Dragon Age , I ACCEPT THIS TO THE POWER OF INFINITY.

[w4rgoddess]

THIS IS PERFECT

…I have to replay Origins now.

[ouyangdan]

i…don’t know what i just listened to. enjoy.

[ladyinsanity]

This shit is doper than raw lyrium.

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[brmanso27]

Humans are awesome

[thefuriousnightfury]

WHOA!

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[turtletoria-art]

a bunch of smiley succulents!

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[The Skellingcorner]

[discworldtour]

There is a saying, “You can’t fool an honest man,” which is much quoted by people who make a profitable living by fooling honest men. Moist never tried it, knowingly anyway. If you did fool an honest man, he tended to complain to the local Watch, and these days they were harder to buy off. Fooling dishonest men was a lot safer and, somehow, more sporting. And, of course, there were so many more of them. You hardly had to aim.

– on fooling honest men | Terry Pratchett, Going Postal

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