i actually like being up early i just don’t like getting up early
YOU PUT THIS IN WORDS
“the cover is never as good as the origi–”
I love how happy the puppy is as the kitten comes to visit
Delete this website and only leave this behind
This would be so much easier if you’d stop trying to kiss me and just let me HOP DOWN, Fred.
This is so cute
There is always room for animal videos on my blog
My eyes are teary….😢
“i’m sad and idk how to feel better”
“i don’t know what to draw”
“i always mess up”
“BUT I SUCK”
LISTEN TO BOB ROSS.
Bob Ross was paid $0 to make his series. He made a living giving lessons IRL and later selling his own line of paints and brushes.
I apologize for not reblogging him as much but everyone needs this on their dash daily. Seriously everyone needs this on their blog or wherever.
Do they rerun this anymore or no?
Words of wisdom!
Moist von Lipwig, talking to the other postmen: Alright, listen up, you little shits.
Moist von Lipwig: Not you, Stanley. You’re an angel and we’re glad you’re here.
Even the title, Phantom Thread, sets the mind reeling. The term refers to a Victorian Era phenomenon in which East London seamstresses, utterly exhausted by a long day’s work, continue to go through the motions at home, sewing threads that do not exist. It also evokes the otherworldly quality of artistic creation, some divine and inexplicable force that helps bring a work to fruition. And therein lies the particular wonder of writer-director Paul Thomas Anderson’s beguiling new film about a British dressmaker in the 1950s: It’s a rare combination of audacity and precision, impeccably tailored yet full of mystery and magic, like an essential part of it is beyond Anderson’s control. Just defining what the film is presents an formidable set of obstacles.
Impeccable ‘Phantom Thread’ Doesn’t Drop A Stitch
Photo: Laurie Sparham/Focus Features
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