The thing I love about cats is that they’re basically born ready to throw down. There’s something strangely life-affirming about seeing a ball of fuzz that could fit in the palm of your hand with room to spare react to an unfamiliar creature literally a hundred times its size by going “I roll Intimidation”.
cats don’t give a fuck and they will slap the shit out of whoever they want
y’all: peter was able to stop bucky’s fist in civil war bc bucky heard peter’s voice, realized he was a child, then weakened his punch bc he was so worried about hurting a child uwu
me, eating pistachios: y’all know peter can canonically lift up to 75 tons, right. y’all know bucky’s fist is easy as hell for peter to block, right. y’all know bucky didn’t know shit about peter being a child and was just shocked that someone was able to so easily block his punch, right. y’all know that, right.
naw fuck that bucky’s punches aren’t easy to block, it’s WAY funnier if peter blocked a full force punch from bucky, who only a few seconds later realizes he’s a kid as soon as peter opens his mouth
that’s the face of a man who went from “holy shit he blocked my punch?” to “holY SHiT a 12 YEARoLD BLOCKED mY PUNCH???” in 3 seconds flat.
Next second is “i triED TO PUNCH A CHILD”
Big fucking boy!!!
What breed is this!!! I LOVE HIM!
he’s a tibetan mastiff! also he’s blonde
this big boy looks huge because, well, he is. but he’s also extremely FLUFFY. judging by the military uniforms and the “no photography” sign, he must be in a military K9 unit. and it takes three (four?) people to groom him!!!
dogs like this are huge and fluffy because they were bred to protect livestock from predators! the hair helps to prevent bites and scratches from wolves and bears! this big boy’s parents were probably equally fluffy!
1. QUEST - the plot involves the Protagonist’s search for a person, place or thing, tangible or intangible (but must be quantifiable, so think of this as a noun; i.e., immortality).
2. ADVENTURE - this plot involves the Protagonist going in search of their fortune, and since fortune is never found at home, the Protagonist goes to search for it somewhere over the rainbow.
3. PURSUIT - this plot literally involves hide-and-seek, one person chasing another.
4. RESCUE - this plot involves the Protagonist searching for someone or something, usually consisting of three main characters - the Protagonist, the Victim & the Antagonist.
5. ESCAPE - plot involves a Protagonist confined against their will who wants to escape (does not include some one trying to escape their personal demons).
6. REVENGE - retaliation by Protagonist or Antagonist against the other for real or imagined injury.
7. THE RIDDLE - plot involves the Protagonist’s search for clues to find the hidden meaning of something in question that is deliberately enigmatic or ambiguous.
8. RIVALRY - plot involves Protagonist competing for same object or goal as another person (their rival).
9. UNDERDOG - plot involves a Protagonist competing for an object or goal that is at a great disadvantage and is faced with overwhelming odds.
10. TEMPTATION - plot involves a Protagonist that for one reason or another is induced or persuaded to do something that is unwise, wrong or immoral.
11. METAMORPHOSIS - this plot involves the physical characteristics of the Protagonist actually changing from one form to another (reflecting their inner psychological identity).
12. TRANSFORMATION - plot involves the process of change in the Protagonist as they journey through a stage of life that moves them from one significant character state to another.
13. MATURATION - plot involves the Protagonist facing a problem that is part of growing up, and from dealing with it, emerging into a state of adulthood (going from innocence to experience).
14. LOVE - plot involves the Protagonist overcoming the obstacles to love that keeps them from consummating (engaging in) true love.
15. FORBIDDEN LOVE - plot involves Protagonist(s) overcoming obstacles created by social mores and taboos to consummate their relationship (and sometimes finding it at too high a price to live with).
16. SACRIFICE - plot involves the Protagonist taking action(s) that is motivated by a higher purpose (concept) such as love, honor, charity or for the sake of humanity.
17. DISCOVERY - plot that is the most character-centered of all, involves the Protagonist having to overcome an upheavel(s) in their life, and thereby discovering something important (and buried) within them a better understanding of life (i.e., better appreciation of their life, a clearer purpose in their life, etc.)
18. WRETCHED EXCESS - plot involves a Protagonist who, either by choice or by accident, pushes the limits of acceptable behavior to the extreme and is forced to deal with the consequences (generally deals with the psychological decline of the character).
19. ASCENSION - rags-to-riches plot deals with the rise (success) of Protagonist due to a dominating character trait that helps them to succeed.
20. DECISION - riches-to-rags plot deals with the fall
(destruction) of Protagonist due to dominating character trait that
eventually destroys their success.
You are an astronaut lost in space who gets rescued by friendly aliens who think you’re just the cutest lil thing in the whooole galaxy
This is called being a cat
GUYS THIS IS AMAZING
SERIOUSLY
6000 YEARS
STORIES THAT ARE OLDER THAN CIVILIZATIONS
STORIES THAT WERE TOLD BY PEOPLE SPEAKING LANGUAGES WE NO LONGER KNOW
STORIES TOLD BY PEOPLE LOST TO THE VOID OF TIME
STORIES
GUYS LOOK AT THIS
OH MY GOD YOU GUYS
GUYYYYYSSSS
“Here’s how it worked: Fairy tales are transmitted through language, and the shoots and branches of the Indo-European language tree are well-defined, so the scientists could trace a tale’s history back up the tree—and thus back in time. If both Slavic languages and Celtic languages had a version of Jack and the Beanstalk (and the analysis revealed they might), for example, chances are the story can be traced back to the “last common ancestor.” That would be the Proto-Western-Indo-Europeans from whom both lineages split at least 6800 years ago. The approach mirrors how an evolutionary biologist might conclude that two species came from a common ancestor if their genes both contain the same mutation not found in other modern animals.”
How do they control for stories that were borrowed, which almost certainly happened?
“ Unlike genes, which are almost exclusively transmitted “vertically”—from parent to offspring—fairy tales can also spread horizontally when one culture intermingles with another. Accordingly, much of the authors’ study focuses on recognizing and removing tales that seem to have spread horizontally. When the pruning was done, the team was left with a total of 76 fairy tales.”
This article doesn’t say how, but I bet those methods are in the paper.
For this, they used a library of cultural traits for each culture a fairy tale occurred in, and then measured the likelihood that trait t occurs in culture c due to either phylogenetic proximity (inheritance) or spatial proximity (diffusion), using autologistic regression:
(Autologistic regression is a graphical model where connected nodes have dependencies on each other, except instead of an undirected graph, ALR is a special case that requires sequential binary data and assumes a spatial ordering. In this case, the binary data are the cultural features).
Cultural traits states are generated using Monte-Carlo simulation and phylogenetic or spatial influence are fitted as local dependencies between the nodes in the graph representing cultural traits. I can’t find this in the paper (though it may be mentioned in the citation of the method they used), but presumably if the spatial influence exceeds the phylogenetic influence by a certain threshold, the trait is removed.
Girl visits a shelter and gets adopted
I like videos like this one, they’re really great as an animation reference! Not sure if I’m going to finish it though; it’s just a practice.
yourfavouritedoll