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ionarachel-deactivated20150923 asked:

I get this often while writing, but I get a plot idea, but then second guess myself, and it ends up with the whole story falling apart. The latest one ive been working on (for 3 days]) is a story focusing on the daughter of a villan, who has just been killed by the 'hero'. The story was going to be set in a fantasy world, but im finding it hard to create one etc, so I tried to set it in the modern day, but that was equally as hard. I dont know which one is better than the other. Any help??

fuckyeahcharacterdevelopment answered:

Ah, there is a lot here, I will try my best to give you advice that will cover all of this. First, let’s take a look at…

Dealing with Self-Doubt

You say you second-guess your plot ideas and that as a result, the whole story falls apart. This has to be the main thing that I struggle with whilst writing too, so I can completely understand where you’re coming from. Generally though, I think this has a lot to do with self-doubt and maybe a little anxiety about whether the reader would appreciate/understand/like the direction you’re taking things in.

It is really, really hard to write a whole manuscript when you deal with excessive amounts of self-doubt like that, because no matter what you come up with, your head is going to tell you it’s rubbish, boring or just not working right.

There’s nothing wrong with understanding one idea is better than another, but when it takes you to a point where none of your ideas stick, it can be frustrating and, quite frankly, takes all of the fun out of writing.

The best advice I have for you is:

  • Step One: Create an outline first, or make notes. Even if you’re the kind of writer who doesn’t plan ahead and writes better by the seat of their pants, the least you can do to help yourself out a little is understand how you want your characters’ journeys to pan out. You don’t have to plan everything from A to B in intricate detail; even a vague plot summary should help to keep you on track. Remember: it is far easier to edit something you’ve already written, so the key here is to get a first draft done. If it helps, end each session by summarising, 1) what has happened (or what you have written so far) and 2) what is going to happen (aka what you’ll write during your next session). 
  • Step Two: Persevere. Be strong, don’t look back and if you absolutely have to change something, don’t edit what you’ve already written to fit with the changes. Instead, make notes about what needs to be changed on your second drafting stage and plough ahead with your writing.
  • Step Three: Forget about what other people think. This is the hardest one. Sometimes, it pays to just isolate yourself from all external opinion and get down to some hard graft. Whilst the Tumblr writing community is great for when you’re in a fix, if you concern yourself too much with current trends, diversity in your writing, how to write specific characters, etc… you’ll never get a first draft written, out of fear of offending someone, or writing a book nobody will like. In the end, it doesn’t matter what the first draft says or does - you’re the only one reading it! Once you’ve got that manuscript down, then go back and analyse your mistakes and problem areas. There’s always room for improvement, but before you can improve something, it has to actually exist first, flaws and all.

Some days, it doesn’t matter that you have all of this in mind; you’ll hit a snag and you’ll feel like you have to rip everything up and start over. Don’t be too harsh on yourself. Take a little break, enjoy some you-time and come back to it with a clear head. It’s never a good idea to do something in a fit of strong emotion and as long as you go back to the basics: making notes, persevering and focusing on the goal of finishing your first draft, you’ll have that manuscript done in good time.

Resources I

Deciding on Setting

The setting of a story can be a very important literary device, or it can bring to life the ideas you have in your head. However, no setting in writing is easy. Even if you set it in the real world, in the exact neighbourhood you live in, you still have hard work to do when it comes to bringing that setting to life.

When you find yourself torn between two types of setting, ask yourself the following:

What does this setting add or take away from my story?

Think of it like a list of ‘pros and cons’ and consider what you want your story to say, not just to yourself, but to the people reading it. What great ideas, themes and scenes do you have in your head already and what would be the best way to present them?

If you find you really can’t choose, then consider using both settings. Think about how you might be able to mesh them together; do they coexist, are they on different planets, different timescales? Sometimes if you can’t generate any ideas at all that feel suitable, it’s time to look at the story with a different perspective. There can be so many new and exciting things to do with it where the older ideas have failed, so if you really love this story and want to keep at it, don’t give up on it!

You do also have to be prepared, however, so don’t skip out on world building and researching as this will only make your job harder. Really immerse yourself in the setting you want for this story by asking lots of questions to yourself about it. Who lives there, what is a daily routine like, what is the weather like, what is the terrain like, etc.

Also, nothing is set in stone. You can change your mind at a later date or even think about developing the story and the setting further before committing to one set of ideas. Stories evolve over time, and this can often be for the better.

It’s my own personal way to consider a fresh idea as a sign to abandon the one before it. Otherwise, I wouldn’t have been able to think of anything better if it was the best it could have been.

Resources II

I hope this helps you out, ionarachel! Best of luck with your writing.

- enlee

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slowyourheart asked:

Hey I was just wondering if you could help me with some resources regarding above elbow amputations and how blind people live (Specifically, people who had sight for approx16-20 years and lost it suddenly) Thank you so much
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finerwhine asked:

This may be too general as I don't really have a lot of specifics yet, but when writing about a fantasy society that is spiritual, animistic and very connected to nature are there specific ethnicities/races I should either totally avoid or at least use special care when drawing on to create this community? (i.e. Magical Native trope, that kind of thing)

PoC Fantasy Coded Races, What To Avoid

Groups to avoid: PoC in general.

Having one race be one PoC group, when the connotations are all things multiple PoC groups have been slandered with, is something you shouldn’t have in your fantasy if you want to be sensitive. 

If various fantasy races have a mix of PoC and white people, that’s one thing. If you have a diverse cast of humans where there are members of the PoC group the fantasy race is coded in, that’s one thing. Because then you have equality between humans and nonhumans when it comes to diversity (like, if a video game has skimpy armour for women but not men, that’s sexism. If a video game has equally skimpy or equally covered armour for men and women, that’s fine).

But one fantasy race being PoC reinforces both white-as-default for humans, and equates that particular ethnicity with the aforementioned traits. I can’t think of a single ethnicity that hasn’t been slandered with those points, to give you an idea. 

Unless you plan on having diversity in all groups, avoid coding certain fantasy races as PoC.

~ Mod Lesya

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We always say we don’t want to read about happy characters with perfect lives. We prefer to read about characters who are in trouble, people who are in crisis with challenges to overcome. Of course, we want the happy ending. We just don’t want to be...

We always say we don’t want to read about happy characters with perfect lives. We prefer to read about characters who are in trouble, people who are in crisis with challenges to overcome. Of course, we want the happy ending. We just don’t want to be bored on the journey to that ending.

“Happiness is an allegory, unhappiness a story.” ~Leo Tolstoy

But there are characters in our stories who are happy. Sometimes they are foils for our protagonists. Sometimes, our protagonists live through intensely happy periods. 

So, how do we write about these characters without putting our audience to sleep? We can’t just say that he or she was happy. We have to show the happiness.

I have looked at real people who are happy and they seem to share these characteristics.

7 Secrets To Writing Happy Characters Without Boring Your Audience

Source: writerswrite.co.za
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sweetlittlevampire

Today I made…unicorn cupcakes! 

Well, at least I tried. ^^; These are the same Nutella (with Fairtrade Nutella!) cupcakes I made for Nancy´s birthday, only this time with vanilla frosting, so I could use food colouring on them. The ears and horns - and yes, these /are/ horns, and not “weirdly shaped male genitals”, as my mother so eloquently said - are made of uncoloured marzipan

fallenchococookie

Ahh die sehen voll gut aus. 😄🍰
Da hat man ja fast ein schlechtes Gewissen die zu essen, wenn die so hübsch sind. Hat bestimmt lange gedauert.

sweetlittlevampire

Eigentlich nicht mal. XD Die gehen superschnell, und das Frosting ist auch fix gemacht.

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Uncommon Questions for OCs and their creators:

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Send me a # (questions for OCs) or a letter (questions for creators) and I’ll answer

QUESTIONS FOR YOUR OCs

  1. What’s the maximum amount of time your character can sit still with nothing to do?
  2. How easy is it for your character to laugh?
  3. How do they put themselves to bed at night (reading, singing, thinking?)
  4. How easy is it to earn their trust?
  5. How easy is it to earn their mistrust?
  6. Do they consider laws flexible, or immovable?
  7. What triggers nostalgia for them, most often? Do they enjoy that feeling?
  8. What were they told to stop/start doing most often as a child
  9. Do they swear? Do they remember their first swear word?
  10. What lie do they most frequently remember telling? Does it haunt them?
  11. How do they cope with confusion (seek clarification, pretend they understand, etc)?
  12. How do they deal with an itch found in a place they can’t quite reach?
  13. What color do they think they look best in? Do they actually look best in that color?
  14. What animal do they fear most?
  15. How do they speak? Is what they say usually thought of on the spot, or do they rehearse it in their mind first?
  16. What makes their stomach turn?
  17. Are they easily embarrassed?
  18. What embarrasses them?
  19. What is their favorite number?
  20. If they were asked to explain the difference between romantic and platonic or familial love, how would they do so?
  21. Why do they get up in the morning? 
  22. How does jealousy manifest itself in them (they become possessive, they become aloof, etc)? 
  23. How does envy manifest itself in them (they take what they want, they become resentful, etc)? 
  24.  Is sex something that they’re comfortable speaking about? To whom? 
  25.  What are their thoughts on marriage? 
  26.  What is their preferred mode of transportation? 
  27.  What causes them to feel dread? 
  28.  Would they prefer a lie over an unpleasant truth? 
  29.  Do they usually live up to their own ideals? 
  30.  Who do they most regret meeting? 
  31.  Who are they the most glad to have met? 
  32.  Do they have a go-to story in conversation? Or a joke? 
  33.  Could they be considered lazy? 
  34.  How hard is it for them to shake a sense of guilt? 
  35.  How do they treat the things their friends come to them excited about? Are they supportive? 
  36. Do they actively seek romance, or do they wait for it to fall into their lap? 
  37. Do they have a system for remembering names, long lists of numbers, things that need to go in a certain order (like anagrams, putting things to melodies, etc)? 
  38. What memory do they revisit the most often? 
  39. How easy is it for them to ignore flaws in other people? 
  40. How sensitive are they to their own flaws?
  41. How do they feel about children? 
  42. How badly do they want to reach their end goal? 
  43. If someone asked them to explain their sexuality, how would they do so? 

QUESTIONS FOR CREATORS

A) Why are you excited about this character?
B) What inspired you to create them?
C) Did you have trouble figuring out where they fit in their own story?
D) Have they always had the same physical appearance, or have you had to edit how they look?
E) Are they someone you would get along with? Would they get along with you?
F) What do you feel when you think of your OC (pride, excitement, frustration, etc)?
G) What trait of theirs bothers you the most?
H) What trait do you admire most?
I) Do you prefer to keep them in their canon universe?
J) Did you have to manipulate or exclude canon factors to allow them to create their character?

Source: cassandrapentayaaaaas