The Skellingcorner

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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
neil-gaiman medievalpoc
medievalpoc

In light of the recent events in the United States, most recently the racist violence in Charlottesville, Virginia, the undersigned community of medievalists condemns the appropriation of any item or idea or material in the service of white supremacy. In addition, we condemn the abuse of colleagues, particularly colleagues of color, who have spoken publicly against this misuse of history.

As scholars of the medieval world we are disturbed by the use of a nostalgic but inaccurate myth of the Middle Ages by racist movements in the United States. By using imagined medieval symbols, or names drawn from medieval terminology, they create a fantasy of a pure, white Europe that bears no relationship to reality. This fantasy not only hurts people in the present, it also distorts the past. Medieval Europe was diverse religiously, culturally, and ethnically, and medieval Europe was not the entire medieval world. Scholars disagree about the motivations of the Crusades—or, indeed, whether the idea of “crusade” is a medieval one or came later—but it is clear that racial purity was not primary among them.

Contemporary white nationalists are not the first Americans to have turned nostalgic views of the medieval period to racist purposes. It is, in fact, deeply ironic that the Klan’s ideas of medieval knighthood were used to harass immigrants who practiced the forms of Christianity most directly connected with the medieval church. Institutions of scholarship must acknowledge their own participation in the creation of interpretations of the Middle Ages (and other periods) that served these narratives. Where we do find bigotry, intolerance, hate, and fear of “the other” in the past—and the Middle Ages certainly had their share—we must recognize it for what it is and read it in its context, rather than replicating it.

The medieval Christian culture of Europe is indeed a worthy object of study, in fact a necessary one. Medieval Studies must be broader than just Europe and just Christianity, however, because to limit our object of study in such a way gives an arbitrary and false picture of the past. We see a medieval world that was as varied as the modern one. It included horrific violence, some of it committed in the name of religion; it included feats of bravery, justice, harmony, and love, some of them also in the name of religion. It included movement of people, goods, and ideas over long distances and across geographical, linguistic, and religious boundaries. There is much to be learned from studying the period, whether we choose to focus on one community and text or on wider interactions. What we will not find is the origin of a pure and supreme white race.

Every generation of scholars creates its own interpretations of the past. Such interpretations must be judged by how well they explain the writings, art, and artifacts that have come down to us. As a field we are dedicated to scholarly inquiry. As the new semester approaches at many institutions, we invite those of you who have the opportunity to join us. Take a class or attend a public lecture on medieval history, literature, art, music. Learn about this vibrant and varied world, instead of simply being appalled by some racist caricature of it. See for yourself what lessons it holds for the modern world.

The Medieval Academy of America
BABEL Working Group
International Center for Medieval Art
International Congress on Medieval Studies
Sewanee Medieval Colloquium
Society for the Study of Disability in the Middle Ages
TEAMS: Teaching Association for Medieval Studies
The Fellowship of Medievalists of Color
The Gender and Medieval Studies Group
The International Arthurian Society-North American Branch
The International Association for Robin Hood Studies
The International Piers Plowman Society
The International Society of Anglo-Saxonists
The International Society for the Study of Medievalism
The John Gower Society
The New Chaucer Society
The Society for Medieval Feminist Scholarship

-The Medieval Academy Blog

neil-gaiman

Love the historians, the scholars, the medievalists.

writingwithcolor

silverstarslove asked:

So, with writing a Jewish character, as a white Jewish convert, would I be better off avoiding the intersection of having racism, by making the character black or another kind of poc, and antisemitism, or researching it to be able to handle it better? Or would it be better to say, in this universe, there isn't antisemitism? Sorry if this was worded poorly

Should I write a character who shares my marginalization but has another one on top of it? Should I write a universe with no bigotry, or with one type of bigotry but not another?

Since you’re white, it would be less work for you, and less chance of you making mistakes (both of which say “better off” to me), if you wrote someone whose marginalizations are closer to your own. But if you’re willing to do the research you can still write a Black Jewish character. Just be aware that she’s gonna come with all the research that goes along with any white person writing any Black person, and that sharing Jewishness with her doesn’t replace doing all of that work. (Same goes for if she’s a Jewish Asian person or any other PoC.)

>> would it be better to say, in this universe, there isn’t antisemitism?

Writing stories where there’s no antisemitism is a valid approach – it’s a major feature of my book series. But it’s secondary world fantasy. If you’re writing in our real world, even the most sheltered-in-New-York-City’s-glorious-Jewish-garden folks are at least aware of the weighty cultural load of what’s happened to us over the ages.

I want to point out, though, that just because you’re writing a character of color, or a Jewish character (or both!) that doesn’t mean your story has to delve into racism and antisemitism. A Black character, a Latina, a Middle Eastern person – they can exist in stories without having to confront prejudice on the page every time, and so can we.

Sometimes all acknowledging racism and antisemitism means is having the character be ever so slightly more determined to succeed against the odds. Or that it feels good not having discriminatory crap happening to you right now. (You know, like that moment when you’re in Target during the Christmas season and you finally find the Chanukah section? Not a universal experience obviously, especially since Chanukah is a minor holiday that got blown up to “match” Christmas and it’s frustrating that the High Holidays get ignored, but I always feel a little bit “oh, hey, someone remembered me.”)

By the way, since I did have a little trouble parsing your question – were you asking if you could avoid having to research the intersection of racism and antisemitism by making racism a thing in your universe, but not antisemitism? Because I don’t feel great about that; it feeds into the myths that white/white-passing Jews never face discrimination from white gentiles, and that this discrimination has never been racialized (spoiler: it very much has, and today is the wrong day for me to find source links since I’m writing this on Pulse day.)

–Shira

silverstarslove Black Jewish oppression world building discrimination antisemitism bigotry asks
fuckyeahcharacterdevelopment thegoodqueertheywarnyouabout
thechekhov

I made a thing! I was thinking about this for a few days - because I realized that when I was young, I was also frustrated about being given the same advice over and over - without really knowing what it meant!!

Here’s 5 techniques which I have done before which have helped me grow as an artist, which are good for 5-minute warmups or just straight up challenges for your sketchbook! 

Obviously, these are not the ONLY techniques - they’re just the ones I find most fun! And maybe they’re not the most ‘correct’ ones out there, but it’s better than another comic about practicing more, right? 

Good luck to everyone on their drawings!

thecaffeinebookwarrior

Honestly, as an artist and illustrator myself, seeing all the posts yelling at newbies to “practice” is so frustrating to me. It feels condescending, and would have had me running for the hills in no time if I was just starting out. This is much more helpful.

Source: thechekhov
writingwithcolor

clypso asked:

First off, thank you for all your hard work. I was wondering if you and/or your followers had any opinions on presenting orcs as black in (urban) fantasy? From what I gather (as a white person), the problem is more the Primitive Savage Trope rather than orcs being POC. If orcs were given a culture and orc characters actual development and personalities, would there be a problem in them having (specifically) black appearance traits? (There would also be orcs with white features as well.) Thanks!

Portraying Orcs as Black People (Please Avoid)

Nooooo no no no no, don’t go there. 

No matter how much you reinvent Orcs, they will ALWAYS be connected to Tolkien’s and all the others where they are ugly, brutish, savages, etc. Just the mere thought of it makes me VERY uneasy. This reminds me of that Warcraft movie (which wasn’t bad but) they tried to give more depth to the Orcs, who were coded as Black, but they were still an antagonist and used “dark magics”. 

When there are literally authors out there who write Black people the way fantasy authors write their classical Orc species, this will never work out as well as you mean it to. 

~ Mod Alice

clypso orcs anti-blackness fantasy fantasy creatures supernatural beings magic stereotypes dehumanization asks
weneeddiversebooks
trans nonbinary trans characters trans representation
weneeddiversebooks

Maybe you can’t change the whole system. Maybe rigid curricula and standardized tests have your hands tied. But, as some of my teachers showed me, reading a book can go a long way. These are some of the books that I wish my white teachers had read.

alexreadsboooks

Top Ten Tuesday: Ten Book Recommendations for People Looking to Read More Books With LGBTAIQ* Protagonists

TTT: Ten Book Recommendations for People Looking to Read More Books With LGBTAIQ* Protagonists

Hey everyone! Top Ten Tuesdays are finally back, and I’m already starting with the long titles again! Maybe that will help me to get back to posting more consistently… This week’s theme is “Ten Recommendations for [Blank]”. Top Ten Tuesday is a blogging meme created and hosted by The Broke and the Bookish. Anyways, when I tried to come up with a group of people to fill the blank, I fully admit…

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lgbtaiq* recommendation top ten tuesday young adult