The Skellingcorner

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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
non-toxicdragonageconfessions
Confession: Currently finishing yet another playthrough of Inquisition, and all of a sudden there’s a new room in the undergrounds of Skyhold! You know that huge room that gives you access to the library and the wine cellar? Well, now I have this...

Confession: Currently finishing yet another playthrough of Inquisition, and all of a sudden there’s a new room in the undergrounds of Skyhold! You know that huge room that gives you access to the library and the wine cellar? Well, now I have this massive dwarven-looking door and it’s a room full of gold. There’s also the hat you can find when you fall through the cracks of Skyhold. How did I get this room? What easter egg did I miss that lead to this?


You can get the vault by having 3 perks of Josephine’s, they’re Sterling Reputation, A Favor for a Favor and Elite Clientele.
-Mod Kirra

da:i skyhold's vault easter egg inquisition perks josephine montilyet dragon age inquisition confession
word-nerds-united promptaroonie

Resources For Writing Sketchy Topics

wordsnstuff

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Medicine

Writing Specific Characters

Illegal Activity

Black Market Prices & Profits

Forensics

dragonwinglet

@unconventionalfangirl I’m too lazy to log out you wanna post this on the thing?

werewritersiswear

I did it. I think

Source: wordsnstuff
word-nerds-united yeahwrite
scriptautistic

Writing Autistic Characters: 50 posts from scriptautistic

Happy Nanowrimo! In honour of national novel writing month 2017 we have put together this list of 50 of the most useful questions and answers from our blog this year. We hope you find them useful - happy writing!

-the scriptautistic mods


Meta

Representation

Comorbidities

Emotions and empathy

Sensory sensitivities

Stimming

Education

Ableism

Communication

Other

Fun posts

word-nerds-united

An important part of writing is creating characters, as 8/10 (stat I made up) they drive the story. It’s our job as writers to acknowledge people of all kinds. A perfect world with no mental disabilities is a fake world.

Make your world real. Include some unique, significant characters by using this reference page.

Source: scriptautistic
writingwithcolor

queerical asked:

so i'm constructing an alternate fantasy world and the main characters speak english becuz that is the language i speak altho it is called by a different name in the story. many parts of the story take place internationally and many characters are multilingual. i will be doing some conlang, but would it be acceptable to take other real world languages (spanish, japanese ect) called by different names? and if so what would be the best way to do this?

Renaming Existing Languages in Fantasy

Unless you’re Terry Pratchett I wouldn’t recommend just cloning real languages (natlangs) and renaming them.  Somehow I let him get away with just calling bad French “Quirmian” where I would’ve thrown anyone else at a wall.  Please see the 2nd part of the answer to this ask (East Asian-based Fantasy, Appropriation, and Fantasy Languages) for some tips on how you might create the general aesthetic “feel” of a natlang without simply ripping off the language itself.  

I recommend conlanging as opposed to copying natlangs wholesale for various reasons, but one big one is to avoid buying yourself heaps of trouble when it comes to marginalized or endangered languages.  How would you feel if you were an indigenous person whose ancestral language was taken away from you or pressured out of your family until they stopped using it, and then suddenly it shows up in someone’s story but the author’s renamed it and given it a fictional history and culture as if it sprang out of thin air?  I bet you’d feel massively disrespected.  Don’t put someone else in that position.

Using English (or whatever publication language) as the medium of your story is different because you say everyone is speaking “Fantasylandian” or whatever but you just assume there’s a translation convention in effect so readers can understand anything in your story.  It’s trickier when there’s other non-main-story languages involved.

~Mod Nikhil

queerical languages fantasy natlangs culture cultural appropriation asks
marvellousbee lovey-laine
transgenderteensurvivalguide:
“ Lee says:
• The word “transgender” is an umbrella term that covers anyone who identifies as a gender they were not assigned at birth.
• Both binary people and non-binary people are equally transgender.
•  Being trans...
transgenderteensurvivalguide

Lee says:

Source: transgenderteensurvivalguide
trans lgbt+
writingwithcolor

thecrystalwolf asked:

Wip is a fantasy world with a "Viking/Celtic" vibe, traditional clans etc. Clans arn't one "Color", but a mix of all different skin types/features, divided instead by cultural skill set/differing way of lifestyle. Protagonist is a PoC as well as decent portion of the other characters. My question would be is this set up racist? Can PoC be included without including their real world culture/ not address racism issues because they don't exist within the wip society? Is this ambiguous brown trope?

PoC with European Culture 

People tend to assume representation doesn’t “count” unless the person in question displays overt markers of the culture in the geographic region associated with that skin tone.

This is false.

PoC vikings existed, or, at least, could plausibly exist. Vikings had fairly extensive trade with North Africa, and were pretty socially open from what we’ve been able to recover. So historically, you’re not incorrect that this situation is something that very well could have happened.

But beyond that, the concept that skin tones relate to what culture people should display helps perpetuate xenophobia.

PoC can hold any culture they want, even if they don’t “look the part.” Yes, the traditional mould of a Viking is white— but so what? Why do they have to be white? Why does anyone from Europe have to be white? 

Rome was a multicultural empire and brought people from all reaches of Africa and Asia Minor to Europe, and they stayed; these people formed communities that are just as European as white people. Immigration happened (such as Japanese people who came to Spain in the 1600s, who hold the last name Japón as markers they were descendants of original immigrants). Migration happened. Some of these cultures stayed independent, while others blended in. Curry, for example, is one of the most popular foods in the UK.

Ambiguously Brown comes from primarily not having any distinctly identifying features that make a person a specific ethnicity. So if somebody is described in a way you can tell they would be considered Arab, or Black, or Indigenous, it’s not ambiguously brown (in my opinion— others are allowed to disagree).

Now, if you wanted to be sure to avoid it, have some of them with scraps of tradition that come from immigration various generations ago. It doesn’t have to be overt, but little markers would show “this people is multicultural and has a lot of immigration.”

At the same time, it’s not necessary. It just shows that immigration happens. There’s no consensus on whether or not this is preferred. And it doesn’t have to be every character with a certain skin tone. Showing individual nuances is purely about immigration.

But in terms of general principle, not everyone from Europe can be or even should be white. It’s a multicultural place and has been since the dawn of time; no sense in shying away from that.

~ Mod Lesya

Viking Vikings Europe xenophobia culture characters Characters of Color character design asks