The Skellingcorner

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sonderingeternally

World Building Tips:  Empires and Power Structures

World building is important in any setting. There are places, such as fantasy literature where it can become the difference between a believable world and an unbelievable one. Suspension of disbelief is often a critical part to stories. 

Many fantasy books take place during times of war, or revolution or even a fall of a corrupt empire.  I love reading these sorts of stories, as many people do.  Power structures can be complex.  They can be used to create tension and drama between characters - take for instance the hero versus the corrupt government troupe in fiction such as The Hunger Games, Harry Potter or even more traditional fantasies such as Tigana ( by Guy Gavriel Kay) or The Wheel of Time series (by Robert Jordan).   As a reader it can be compelling to follow these stories.  For writers though, it can seem daunting to go into the details of shaping a believable power structure.  Here are some basic tips for creating one.  

There are four crucial factors to any power structure.  These are as follows:


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Originally posted by aivim

1. Military - this includes the size of the army, the types of technology used (guns or swords? navy or land army?), the basic structure of the army (is it highly regimented like the Romans? What are the different groups within the army? How are they divided - by technology, skills or social status?). Another important question here is why has the military developed in this way? The Roman military, for example, grew out of competition with other Italian states. The opposition is equally important here - who were/are they within your story? Apply the above questions just as much to them, because empires and other structures are influenced by the world around them. The military can be the reason an empire begins in the first place.  The military should also play a role in sustaining the power structure/empire.  It doesn’t have to be the strongest factor by any means.  It may even become the downfall of the structure in the end.


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Originally posted by bonekaiser

2. Economy - How is your power structure or empire funded? Does this change over time? Does your empire take part in internal or external trade? Is trade important to the running of the empire? Resources such as crops, fertile land or people are also a part of this and influences the larger actions (such as conquest) your structure takes towards other countries. Trade can be a form of control and influence as well, even outside of the structure’s territory. In terms of story, a lot of decisions that are made involve trade or economic reasons - no one wants to get on the wrong side of someone who controls valuable resources or trade with other entities. The British Empire was based mainly on trade and this insured a global influence even as it declined in actual power.


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Originally posted by crazyinyonce

3. Administration: The system of government and the way it manages itself is important to know. Is it a traditional monarchy or a democracy? How is leadership decided? How is power delegated throughout the larger administration? Hierarchy? One person can’t do or know everything. In terms of empire and conquest this is equally important. Does the empire recruit the local elites from conquered areas to administer to the general public, like the Romans? If your story is set in the outskirts of your empire, this could effect the outcome of the story - local elites might enjoy the power they have gained through an alliance with the larger empire and thus be unwilling to revolt against it. What other ways does your power structure control its territory? Does it use culture, or a set language to spread out into new territory? What kind of empire is your empire? Is it land based (only conquering territories linked by land) or maritime (navy focused with overseas territory)?


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Originally posted by ashmoleanmuseum

4. Culture: How does your power structure interact with its subjects? Even in a small area, different ethnic groups exist, so what unites all of them together? Are they all united, or is there groups of people the power structure leaves out? Have they always been left out deliberately or have these groups formed over time?How does the the government and the people from inside the empire view outsiders and their culture? Does this influence your story or characters? Do negative stereotypes or different language create a barrier between your character and others? In newly conquered areas is the empire’s language, laws and social ideals endorsed to locals or is it forced upon them? Is religion important to how the empire works or interacts? For example, before war do the gods need to show approval for the empire’s commanders? What about clashes of religion with other areas? Where do cultures intersect? Is your empire influenced by an older power or a hard past? What is seen as integral to your structure’s culture - art, literature, music etc? Are allies connected with your structure through culture, a shared distant history?


Most power structures rely on all of these factors - but none are ever equal in importance. Your government will identify one or two of these areas as important and focus on them. This can impact how the structure comes together and eventually falls apart - the greatest strength becomes a weakness, or something is overlooked until it is too late.

This is a long post - so I’m going to leave it here for now. If you guys have any questions, feel free to use the Ask feature to contact me.

Source: sonderingeternally
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Surviving Anxiety by Scott Stossel - I’ve tried therapy, drugs, and booze. Here’s how I came to terms with the nation’s most common mental illness

Understanding the Anxious Mind by Robin Marantz Henig - Some people, no matter how robust their stock portfolios or how healthy their children, are always mentally preparing for doom. They are just born worriers

Prozac Nation Is Now the United States of Xanax by Alex Williams - Anxiety has become our everyday argot, our thrumming lifeblood

Why Are More American Teenagers Than Ever Suffering From Severe Anxiety? by Benoit Denizet-Lewis - Parents, therapists and schools are struggling to figure out whether helping anxious teenagers means protecting them or pushing them to face their fears

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Things Writers Can Learn from Mulan

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Originally posted by disneyfeverdaily

I can't believe nobody has talked about the new Mulan trailer. So here is a massive post on why Mulan is one of my top 50 favourite films of all times.

Symbolism

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Originally posted by soniatera-archive

The symbolic nature of Disney movies is well known. The great stone dragon is meant to be the family's greatest protector yet crumbles before he can do anything. The other characters expect the strong, obvious choice to protect them ie. The Dragon & the menfolk. But as the great dragon and menfolk fail, Mulan rises as the protector of the family.

The Protagonist is the Protagonist for a reason

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Originally posted by henrycavillary

In every YA novel, in every fantasy work, in every book/film/series written, I always draw issue with a single problem. Why is the hero the hero? In the Red Queen novels, Mare Barrow is the Protagonist because the revealing of her power ignites a revolution. Mulan is no different. Mulan is the Protagonist because she possesses the one characteristic none of the other soldiers have. She's a woman. When the Huns take the Imperial palace, it's Mulan who knows that dressing as a woman would gain them access to the Emperor. This practically slaps you in the face when Mulan looses her sword on the roof and uses her fan to disarm the Hun. Not to hit you guys with the FACTS, but this is the Protagonist disarming an enemy with her femininity something Shang could not do or all the Imperial army.

Character Traits- See, don't tell

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Originally posted by disneyfeverdaily

When Mulan is walking toward the matchmaker, we find out two things about her. She is just and strategically clever. We see her being just as she stops the bullying of a little girl. We see her strategic mind as she bests some man at chess. This is an excellent way of showing us a character's true traits. Deeds not words. When Shang is given the command, we see his facial expressions go from shock, pride and fear. He is honoured to be given a task of such great importance but also afraid of failure.

Kicking the Audience in the teeth

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Originally posted by beyonceknowless

I am a big fan of breaking the hearts of an audience. I write life not fairytales. When asked about great twists in stories, I will name the Red Wedding first, the Prison of Azkaban twists second... and Mulan third. Of the hundreds of books, tv series and movies I have seen, it ranks third. Though the song has its issues, including being too goddamn catchy, the march to A Girl Worth Fighting For, is simply shattering. You see the characters each talk about dreams and hopes while passing through the land they are sworn to protect. Even the stoic Shang is smiling. Then mid-song, we are in the burnt out village. We see death, destruction and horror. We were heightened by the song and the joy only to be slapped by this blow. Masterly story telling.

sweetlittlevampire

It feels so good to finally be able to read casually again, tbh. All the reading I’ve been doing during my studies was almost entirely academic (or useful to/necessary for my studies), and I’ve had huge trouble being able to immerse myself into fiction again. Anf that was what I used to love (and still love) about fiction: I could get lost in these books, wander around in these worlds for hours, and live in those universes even after I closed the books. After graduating I discovered that I was somehow unable to do that, and it broke my heart. It took quite a while to get back to it, and now that I am, it’s the best thing ever.

I had a few books I’ve wanted to reread and series to finish, and I got a few nice recommendations ( @waltzing-marionettes - I’ve got the Engelsfors trilogy on my to-be-read list and lined up for after I finish my current trilogy - which you might enjoy, actually - so expect me messaging you and talking to you about it as soon as I’ll get to it)…and then tere are a few of longer fanfic favourites that I’d like to reread, and frankly?

I can’t wait!

Sweet is rambling Reading Books
sweetlittlevampire

About the current heatwave

35°C today…it’s so insanely stuffy in our office room, and we can’t open the window, otherwise we’d just let more hot air in. It’s scheduled to get even hotter tomorrow, when I have an eight hour shift…ugh.

For my foreign followers - especially those from the States, because I notice those seem to be the most confused ones - most buildings and homes here in Europe do not have air conditioning. Some office buildings or banks may, but each place I’ve interned or worked at so far didn’t have one. The building I work at right now is an office building, but since it’s a low energy house the last things they’ll do is install an A/C.

I know literally only one person with an A/C in their home, and that’s because it’s a relatively new house, and the walls aren’t as thick as the walls in most European houses. Most houses here are made out of thick stone walls, so if you’re doing it right (open windows at night, keep them + the blinds shut during the day), it’s fairly easy to keep the heat out and the house cool.

Also I get that many people are confused as to why we complain about 35°C/95°F weather when they live in it all the time…but see, that’s just the thing. You’re used to this. You live with these temperatures, your body is used to it, even though you might complain about it being too hot as well. We are not. Those temperatures? We do sometimes get them, yes - in the middle of August, for only a few days. End of June is way too early for this, and our bodies don’t handle it too well. 32°C summers are nice, but when it nears 40°C - and we did get 42°C/107,6°F one year - it becomes insufferable for many of us, and a considerable health hazard for some. Usually this time of year, we’re just scraping the 30°C mark (I’m thinking like between 27 and 29°, like we did last year more or less around this time).

So my European friends, please stay hydrated and cool, if possible. Check up on your loved ones, especially elderly people and people who live alone, and don’t be shy to call an ambulance if signs of a heat stroke/dehydration begin to show in you or others.

And to my US friends: I hope this explains things a bit. Much love. ♥

Sweet is rambling Heat Wave Europe
sweetlittlevampire
Bought this little rattan shelf for our kitchen windowsill. Our plant babies now live on it and can thrive, but should they ever die or move to another spot, I wanna convince my mother to use it to create a windowsill herb garden, where we could grow...

Bought this little rattan shelf for our kitchen windowsill. Our plant babies now live on it and can thrive, but should they ever die or move to another spot, I wanna convince my mother to use it to create a windowsill herb garden, where we could grow our own herbs for culinary purposes. That would be cute!

Also yeah, I like to use cute mugs as planters! I own a ton of mugs but tend to gravitate towards always using the same ones, so I love to give them a new urpose by using them as pen holders or planters. Just be sure to put the plant with a small pot into the mug; if you wanna plant a plant baby into the mug directly I’d advise drilling a few holes into the mug first (I’ve heard about using a layer of stones for drainage, but I’m not so sure if that works with every plant).

Sweet is taking pictures windowsill rattan shelf houseplants