The Skellingcorner

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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
shacklefunk

a thing i only recently realized i knew abt character design that isnt just common sense apparently:

do not start ur character design by doing a full, refined turnaround/model sheet.

like. everyone in my childrens book il class is fuckin doing this even though most of them are illustration majors and its a huge mistake (our prof literally warned them against this, and YET)

any time you design a character, start by not caring. by just doing what feels right. dont settle on the first thing; play around. and then draw your character a shitload of times before u start a ref sheet

dont finish anything, just. do super fast sketches of them over and over and over. fill up a page or two. as you draw them theyll evolve. that will happen whether your sketch it out at the beginning or jump right into a final draft, and lemme tell u, u do NOT want ur character evolving and changing AFTER ur final draft. u want to get that out of the way early so u can get a decently consistent finished product

then when you go to do your model sheet you will already be able to keep your character on model without it bc youve drawn them a shitload of times. then it wont be “struggling to draw the character the same every time” itll just be “this is what the character looks like and i could draw them with my eyes closed bc of muscle memory”

dont just jump in and be like “shit i gotta have this full complex polished thing right out of the gate!” like. in the beginning, Do Not Work Hard. play. play a lot. and THEN do a refined drawing. your refined drawing will look way better, too, bc by then youll be completely comfortable with your design

its just a super bad idea to present a character as “heres a ref sheet” as soon as you have a concept. your concept will evolve and u have to let it, or else ur designs will look rushed/bad and your drawing will looks stiff and uncomfortable bc u can only draw ur character at a ¾ths view in a particular pose bc youve drawn them twice in ur entire life

shacklefunktextposts long post
fantasy-writing

mx-maverix asked:

Hi, so I've always wanted to write a fantasy universe like no where near similar to our own, but I've always found the idea of creating a new world to be daunting. Do you have a bare-bones type guideline for creating a fantasy world? Like what needs to be established? Btw I just found your blog and you have a really extensive knowledge on this, it's really impressive. Thank you!

Hello! First of all, thank you! We’re glad to know that our blog has useful knowledge on these things.

Now for the question. You want a guideline for building a world of your own. This can be quite simple if you have the right mind-set when doing it.

If you have a friend interested in writing or worldbuilding, see if you can brainstorm with them. Usually, how I build worlds, is by writing up a basic setting outline and looking for holes. Having someone to do this with will make it a lot easier, and more fun to do. I’ve spent hours talking with friends about how things work in the settings I make.

The idea is simple. You present a concept, and you find out what’s wrong with it. By fixing what’s wrong, you may create more problems to fix, which will branch out and create even more. The goal isn’t specifically to eliminate all problems, but to make a believable world by fixing glaring things such as “How does X town get Y resource” or “Why doesn’t this group just revolt, if they’re so picked on?”

Raise questions. Find answers. If the answer raises more questions, all the better!

Heres some information you should get figured out.

- Technology level
- Major factions
- Timeline and history
- Old factions that no longer exist
- Smaller factions
- Government types
- Living quality
- Culture and social norms
- Conflict (You’ll need a lot of this)
- Faction leaders
- Faction structure, name all of the bigwigs and give them personalities
- Infrastructure
- Faction-specific resources
- Religion
- Is magic real?
- Do people believe magic is real?
- Controversies within a faction
- Controversies with multiple factions
- Do any religions have influence over a faction’s government?
- How do individuals get food or money?
- How does the population of a certain faction feel about it’s government?
- Any ongoing revolutions?
- Any ongoing revolutionary preparation?
- If so, why are they revolting?

The list goes on. This should give you a decent grip of it, though.

Good luck.

- The Artificer

Mod Artificer The Artificer
whenharrymetsallys

literature preference generalisations

catchy title!! i know!!!!

classics:

  • would die for at least one character from the iliad
  • has read the secret history and has a very strong opinion on it
  • terrified of the languages their favourite texts are written in (but hates ancient greek more than latin)
  • probably has an incredibly messed up sense of humour
  • won’t stop talking about how much gore is involved in their favourite tragedy

old/middle english:

  • seem terrifying but actually just very confused
  • have a favourite jumble of letters that is pretending to be a word
  • once looked at a rune and cried from either happiness or devastation
  • argues about pronunciation but then realises it doesn’t really matter
  • knows a lot of history
  • band together in groups because they know they’ll never find people that like chaucer as much as they do

renaissance:

  • the greatest people you will ever meet…and the worst
  • pretend like shakespeare isn’t their favourite playwright and fails miserably because they know all the words to their favourite soliloquy
  • probably enjoy acting
  • have a strong opinion on the wars of the roses
  • gay

shakespeare (yes buddy, you get your own):

  • extra gay
  • cry thinking about how much their fave play means to them
  • theatre snobs but also annoying theatre kids
  • incredibly dramatic

18th/19th century literature:

  • probably all INFPs
  • “i like big books and i cannot lie”
  • have a favourite austen book and will defend it to the ends of the earth
  • watch more period dramas than is good for them
  • all have frail hearts so get spooked out by gothic literature

romanticism:

  • the gayest
  • cries about john keats on the regular
  • will quote long passages from their favourite poem so violently you’ll have to ask them if they’re okay,,,,, they aren’t
  • once tried to become ‘at one’ with nature but got scared by a fallen leaf so had to take a three-hour nap
  • all of them have their favourite fact about lord byron and bring it up constantly whether it’s appropriate or not

victorian literature:

  • pretends they hate dickens but would die for great expectations
  • love cities and the country equally
  • won’t shut up about how much they love the rain
  • have a very special place in their heart for christmas
  • threaten to kill people with a single books because they’re the same shape and weight as bricks
  • have cried extensively over tennyson and arthur hallam 
  • don’t know where oscar wilde quotations end and they begin

twentieth century literature

  • very confused
  • love the 20s a bit too much
  • probably wish they were french, unless they are french in which case they wish they were living in america
  • call every war ‘The War’
  • prepared to fight hemingway’s ghost at any given moment
  • secretly love dystopian ya and high fantasy
  • won’t stop saying ‘The American Dream’ because it’s relevant to everything, apparently


disclaimer: highly distorted by my own literary knowledge (which is minimal outside of the west) so apologies for that. feel free to add on

this was so fun omg you're all losers but ilysm
lizard-is-writing

How to Plot A Complex Novel in One Day

Now first, I have to say, that the plot you’re able to come up with in one day is not going to be without its flaws, but coming up with it all at once, the entire story unfolds right in front of you and makes you want to keep going with it. So, where to begin? 

  • What is your premise and basic plot? Pick your plot. I recommend just pulling one from this list. No plots are “original” so making yours interesting and complicated will easily distract from that fact, that and interesting characters. Characters will be something for you to work on another day, because this is plotting day. You’ll want the main plot to be fairly straight forward, because a confusing main plot will doom you if you want subplots. 
  • Decide who the characters will be. They don’t have to have names at this point. You don’t even need to know who they are other than why they have to be in the story. The more characters there are the more complicated the plot will be. If you intend to have more than one subplot, then you’ll want more characters. Multiple interconnected subplots will give the illusion that the story is very complicated and will give the reader a lot of different things to look at at all times. It also gives you the chance to develop many side characters. The plot I worked out yesterday had 13 characters, all were necessary. Decide their “roles” don’t bother with much else. This seems shallow, but this is plot. Plot is shallow. 
  • Now, decide what drives each character. Why specifically are they in this story? You can make this up. You don’t even know these characters yet. Just so long as everyone has their own motivations, you’re in the clear. 
  • What aren’t these characters giving away right off the bat? Give them a secret! It doesn’t have to be something that they are actively lying about or trying to hide, just find something that perhaps ties them into the plot or subplot. This is a moment to dig into subplot. This does not need to be at all connected to their drive to be present in the story.  Decide who is in love with who, what did this person do in the 70’s that’s coming back to bite them today, and what continues to haunt what-his-face to this very day. This is where you start to see the characters take shape. Don’t worry much about who they are or what they look like, just focus on what they’re doing to the story. 
  • What is going to change these characters? Now this will take some thinking. Everyone wants at least a few of the characters to come out changed by the end of the story, so think, how will they be different as a result of the plot/subplot? It might not be plot that changes them, but if you have a lot of characters, a few changes that are worked into the bones of the plot might help you.
  • Now list out the major events of the novel with subplot in chronological order. This will be your timeline. Especially list the historical things that you want to exist in backstory. List everything you can think of. Think about where the story is going. At this point, you likely haven’t focused too much on the main plot, yeah, it’s there, but now really focus on the rising actions, how this main plot builds its conflict, then the climactic moment. Make sure you get all of that in there. This might take a few hours. 
  • Decide where to start writing. This part will take a LOT of thinking. It’s hard! But now that you’ve got the timeline, pick an interesting point to begin at. Something with action. Something relevant. Preferably not at the beginning of your timeline - you want to have huge reveals later on where these important things that happened prior are exposed. This is the point where you think about what information should come out when. This will be a revision of your last list, except instead of being chronological, it exists to build tension. 
  • Once you’ve gotten the second list done, you’ve got a plot. Does it need work? Probably. But with that said, at this point you probably have no idea who half your characters are. Save that for tomorrow, that too will be a lot of work. 

After you’ve plotted the loose structure of your novel from this, see my next post to work on character

Source: lizard-is-writing.com
plotting creative writing help writing help writing advice writing 101 writing tips writing tip creative writing tips creative writing advice art of writing writing plot
hellhoundtom 0hshitwaddup

Just abuse things

himari-takakura

- “IM SORRY IM SORRY IM SORRY!!”
- “you arent mad at me right? Oh my god you are! IM SORRY”
- “is this my for me? Can I use this? Can I drink this? Can I-”
- “pls help me make this decision for me”
- “do what you please!!!” “What if that makes everyone mad at me”
-studying people intensely because you are afraid you might do something that will make them mad
- Saying something in a tone louder than usual and feeling like this is your last day alive
- low self stem
- feeling mentally and emotionally exhausted after expressing any sort of feeling and crying right after that
- when someone talks or does something in an attitude thats not usual from them and Knowing That It’s Your Fault
- “i dont deserve this why are you doing this for me”
- not knowing the difference between a joke, sarcasm, and passive aggressive speech
- unhealthily clinging to anyone who’s remotely nice to you
- not knowing what to say NEVER
- not knowing how to react to compliments, nice words, genuine care or anything like that and feeling incredibly sick at the thought of someone genuinely loving you
- Crying.
- having to explain every single movement and word you do and say to literally anyone
- being really good at lying and pretending as a survival strategy
- Not living, surviving.
- calculating and overthinking everything you do and say, the time you say it, how you say it, the expression you have when you say it, your voice tone…everything
- getting panic attacks over the tiniest things
- unhealthily clinging to fictional characters and shows
- lack of energy to do anything because you use a lot of effort in every single movement you do
- “im useless”
- when someone compliments you on something and you needing to be Perfect at it because then you dont have any reason to live
- intrusive thoughts
- Perfectionism
- Over sensitiveness
- “It’s my fault.”
- not knowing how to react about criticism
- Isolation
- getting startled when someone touches you
- being hyperaware of your surroundings and at the same time having no time and space perception
- believing everything everyone says
- Feeling like any day is your last day

404error-user-not-found

…why is this true for me?
I’m not abused by anyone….this is confusing..

himari-takakura

some of the things of this list may be bc of anxiety or other mental illnesses! and idk, some are simple traits, dw dude, i made this post for abused people but some things can just be traits that people have

404error-user-not-found

Oh, good to know, cause I was like questioning if I’m just not noticing if people treat me bad

hellhoundtom

Yep.
Coming from years of abuse I pretty much follow all of this down to the fine details. I’m told “don’t be sorry” “you don’t have to explain yourself.” “What’s wrong?” “Its not your fault.” “Quit worrying ” all the time now because all of these things listed above is how I survived for 21 years.

abuse mention
nimblesnotebook-blog
~A series on miscellaneous world building tips~
On Creating Fictional CulturesCulture is not shared. Nor is it meant to be.
• My Catholic family had Brigid’s cross over the doorway. My Catholic neighbors did not know who Brigid was.
• My family...

~A series on miscellaneous world building tips~

On Creating Fictional Cultures

Culture is not shared. Nor is it meant to be.

  • My Catholic family had Brigid’s cross over the doorway. My Catholic neighbors did not know who Brigid was.
  • My family called it a clicker. Mostly everyone else in my town called it a remote.
  • My friend assumed from a young age that she would attend an Ivy League university because her father had “connections”. I didn’t know what the hell an Ivy League school was until I was a teenager.
  • Everyone drinks orange juice cold. My cousins warm theirs up in the microwave. God knows why.
  • Cheese curds are  found in abundance in Wisconsin and in parts of Minnesota and Illinois. Everyone else in America is deprived of cheese curds.
  • My friend knows a lot more about Confirmation within Catholicism than I do. We both went through it, together, but all I can tell you is that a Bishop is there and it’s like Baptism Part II.
  • My family’s idea of a vacation was a cabin in the woods. My friend’s idea of vacation was going to the beach for the day. My neighbor’s idea of vacation was spending a week at a resort in Mexico.

You should have variation like this when you create fictional cultures. Your characters will not be aware of everything within their culture. They will have different ideas of what something is/should be. Religion will vary by place and even by family (even if those families are from the same place). Not everyone in the same town will practice a holiday the same way. Not everyone will attach the same significance to elements of their culture, their religion, or their home/country/ancestral land.

If all of your characters (including the background characters) walk around with the same knowledge about the same topics, your culture is going to lack depth. 

One character might have been told X about a certain magical creature where another character might have been told Y. One character might have many family traditions whereas another character’s family might not have any. 

In summary:

  • Characters should have varying levels of knowledge of their own culture, heritage, history, nation, etc.
  • Variances in language, religion, tradition, etc. should exist among characters who belong to the same language/dialect, culture, religion, etc.
  • When creating these differences, consider how certain factors such as place of origin, age, socioeconomic class (past, present, class of parents/grandparents), religion, education, family, and language create these variances.
  • Think of the family unit (defined by your fictional culture) as a subculture within a larger culture. Family A, Family B, and Family C all speak the same language, practice the same religion, and celebrate the same national holidays, but they do these things in different ways.
worldbuilding writing tips
writingwithcolor

Mixed race character and feeling disconnected from your own culture

@the-galactic-republic asked:

So I’m writing a fantasy story in which one of the main characters is mixed race. She lives with her (white) mother in a setting based largely off of northern european culture, as that was where her mother lived and her parents met. Her father (presumably black,arab or indian equivalent) had travelled up to this area from the south (which is based more off northern africa or southern asia and the middle-east). As he was a traveller, he didn’t stay long, so no one really knows who he was.

Because of where she grew up, she connects more with the predominantly white culture of her homeland. However, she also recognises that she is culturally different to her peers and experiences discrimination. I was wondering how I could describe the connection she feels with her mother’s race but still keep the alienation she feels because of her father’s?

Alright, so this feels somewhat relatable to me, so I’m going to answer this from my own personal point of view. It doesn’t have to be the same for everyone.

First of all, it sounds like you have the absent black father trope in here. You can find more about this trope in our tags, but to put it shortly, it’s a harmful stereotype of Black people being bad parents who abandon their own children. We’d like to see that stereotype gone.

As to your character’s feelings for their culture and heritage. If she doesn’t know her father, meaning he hasn’t played a part in her upbringing, how is she culturally different? What other culture has entered her life and how? From your wording, it also seems like you’re confusing race and culture, while they’re not the same thing.

Growing up as a Black mixed race, non-white passing person in a predominantly white setting and culture, can really give one mixed feelings about their culture and belonging as well. Like growing up like the outcast amongst your own people and everyone knows it, but no one talks about it. Like sometimes forgetting you’re different until the micro-aggressions hit like a slap in the face. Like feeling an ever-present but passive disconnect from the only culture you really know, because even the cultures you’re connected with through family members doesn’t feel like it fits as best as you feel it should. It’s feeling part of your culture only when you’re with people outside of that culture, then completely losing your sense of belonging once you’re surrounded by people of your own. 

It’s getting weirded out by national pride. It’s internalized biases and always having to prove yourself. It’s days of completely rejecting your culture while others you force yourself between narrow lines and definitions just to feel a part of something. It’s using mocking humour and racist jokes just so you don’t have to hear them from others and seeming less threatening and “uppity”. 

It’s being the exotic other in your own home. It’s not always knowing what to think or feel. It’s being mistaken for a foreigner, while white foreigners are treated like family. It’s people, friends,as well as strangers being biased and discriminative, racist even right to your face because they think you’re cool with it. It’s being “one of them” so they can use you to excuse their xenophobic and racist ideas and opinions. It’s being called a “tropical beauty” but not suitable to bring home to their parents. It’s in so many little, but important things.

Describing a complicated and nuanced situation like that is extremely hard if you’re not doing it from experience, which is why we always advise stories like these to be written from within the community. “Outsiders” have little ways to really understand the fine parts of these sorts of experiences and can easily by mistake pepper their stories with tired stereotypes because they aren’t aware of them. These are often also pretty personal.

Assuming this will be a minor detail instead of part of the plot, you could describe your characters connection with their culture with nuanced and mixed feelings towards things related to their culture. Have them search for a sense of belonging, possibly struggling to find it. It’s hard to give any clear or pointed advice here, because of the nuance, complex and personal nature of this, so the only other thing I can say is ask appropriate beta-readers to find the appropriate reactions to specific situations in your story or leave the cultural (dis)connect out of your story and for someone who can write from experience.

~ Mod Alice

Writing question submission mixed race multiracial multicultural character disconnected to own culture cultural disconnect black absent black father absent father stereotypes asks
lichthime bbysquirrelsblog

shit mentally ill people get told

officialplagueknight

  • “that’s just being human!!”
  • “why do you need counseling/medicine though”
  • “it’s not THAT bad!!!!11!!!11!11!!!!!!1!!!1″
  • “that’s not a real disease”
  • “it’s not that you cant do it, youre just not trying” [even if you say you are trying 348928394380 times]
  • “you dont actually have that disease, youre just overreacting”
  • “you just dont care” or “you just need to try harder”

feel free to add more

bbysquirrelsblog

• “It’s called Life. So get used to it.”

• “Yeah well EVERYONE struggles, everyone has it hard.”

• “You should be grateful, others have it way harder than you! You’re so selfish.”

• “OH just STOP already, it’s annoying/making me angry/bringing MY mood down.” (when you display any symptoms or talk about how bad you feel)

• “Get over it!!”

• Getting angry/annoyed, threatening, or actually punishing you when you can’t just “get over your issues”.

• “What are we going to do with you?” and “How are we going to fix you???”

• Any generalized positivity or advice that they get from self-help books or have heard on Oprah, like “you just need to change your attitude! It’s all in your head! It’s a choice!”

• “You’re lucky, other people don’t get to just lie around like you. What do you think you are, a princess?” (whenever you do any form of self-care, or worse, when you’re having a day where you can’t even get out of bed)

And bonus:

• *eye roll* “Mental illnesses don’t exist.”

lichthime

‘So, are you gonna let that rule your life?’ 

Source: officialplagueknight-blog
a teacher once told me that and she was supposed to be my mentor shitty mentor bitch .___. after a whole night of nightmares and horrible panic attacks me trying to share with her she tells me that dude what a bitch honestly .___.
writingwithcolor

How to research your racially/ethnically diverse characters

chiminey-cricket asked:

Do any of you have any tips for doing independent research for PoC characters?

This question is super broad, but I’m going to see if I can give it a crack!

First of all, consume media by the group in question. If you want to write a story with a Chinese-American protagonist, read some blogs by Chinese-Americans, read books by Chinese-Americans – both fiction and nonfiction – lurk on places like thisisnotchina so you can get a feel for what pisses Chinese and Chinese diaspora people off about their portrayal in the media, google for stereotypes about Chinese people and try to make sure you’re not doing those (even positive ones), go more general (East-Asian all-of-the-above in general since in many cases the harmful tropes overlap), go more specific (if your protagonist is female, look specifically for blog posts featuring the opiniosn of Chinese-American and other Asian/Asian diapora women; same if your protagonist is attracted to the same sex, is transgender, or deals with any other form of oppression besides anti-Chinese racism.) All of the above applies to Latinxs, Native Americans/Canadian First Nations, African/African diaspora people, Jews, Muslims, etc. Find out what we’re saying about ourselves.

Lots of things are available just from Google. “I have a Black character and I want to know what kind of hairstyles are available for her!” We have a Black hair tag, but apart from that, googling “Black hairstyles” will probably bring up some articles that can at least give you a good starting point to learn some vocabulary to add to your next Google search, like “natural” and “twists” and “dreadlocks.”

Next, you can talk to people in the group, but before you do this, be sure to have some specific questions in mind. “How do I write a Jewish character?” is not a specific question. “Do I have to make my Jewish character follow kosher laws if I’ve made her religious in other ways, or can she go to shul but not keep kosher?” or “What’s a term of endearment a parent might use for a child in Yiddish?” is much more specific. Remember, if you’re talking to someone they’re answering you back with their free time, so expecting them to do most of the work of figuring out what’s most important for you to know is a little entitled.

Besides, a more specific question will give you a more helpful answer. If someone asks me “how do I write a Jewish character” one of the first things out of my mouth will be a list of personality stereotypes to avoid, which isn’t going to be very helpful if what you really need for your fic was whether or not you have to write your character as following strict kosher laws.

If you’re sending a question in to a writing blog or one of those race blogs like thisisnot[whoever], please read through their tags and FAQ to see if they’ve already answered it. Longtime followers of a blog would get very bored if all the blog’s content was nothing but “We answered that here last week at this helpful link!” Those who participate in answering these blogs are usually unpaid volunteers who provide a resource that’s already there to help people; help repay them for what they do by looking through the material on your own first.

How to tell if a source from outside the group is biased and bigoted: obviously, you’re not going to want to listen to Stormfront about Jews, or the KKK about, well, anything. If you’re not on a source created by the group in question, look for dry and academic language as opposed to emotional, informal, or inflammatory words – although dispassionate and technical language is no guarantee it won’t be racist, colonialist, or inaccurate. If you read enough books and blogs from the inside, though, you’ll probably see some of the myths from those other sources debunked before you even encounter them.

Lastly, don’t assume that all people who are Asian, African-American Christians, religious Jews, or Muslims are from cultures more oppressive, more conservative, more patriarchal, more homophobic, more sexist, or more controlling than the one in which you were raised. If your plot calls for homophobic parents or a repressive culture, that shouldn’t be the reason you make your character one of the groups listed. There is plenty of oppressive, anti-woman, and anti-queer thought in white American Christian/Christian-cultured society and personally, I believe such criticisms of the marginalized diaspora peoples I listed above belong in the voices of the cultures themselves.

–mod Shira

I’d not leave looking for dry and clinical information as the ONLY means to distinguish that a work is biased.

While yes it is pragmatic to say “look for academically toned wording,” … in addition to that, these folks really need to look into who the author is. Definitely look into the author. And the year the thing was published (because man if it’s from like the 60s or earlier, 9 times out of 10, throw that shit out).

Because people can disguise hatred and racism in careful diction so that it looks reasonable and polite. A shining example is physiognomy studies from Nazis and anti-Semite eugenecists. And the sad thing is, you really can’t trust people to read it and make the judgement call that this hate-in-disguise they’re reading is hate.  

Somehow, when someone says, “The people of the Levant express features such as […] which, at the risk of sounding untoward, suggest a very rodent-like persuasion,” people are like, “Oh, well, that was worded fancily and there was no angry or profane language, I suppose they’re right,” not stopping to think even for a moment that they just accepted that this book just said to them that Jews look like rats. I saw it happen in my Nazi Germany class when we were given reading material. It was fucking nuts.

So definitely, definitely look every outsider author in the mouth and cross-check any and everything that person says. 

–mod Elaney

Shira again: Elaney is right that you will want to be critical of outside sources, especially older ones. Also, be suspicious of blanket statements about a group such as “X group are” instead of discussing forces in X culture. For example. Because there’s going to be diversity within any group and it’s likely what’s being said isn’t inherently biologically linked to being in X group.

–mod Shira

writing diversity WeNeedDiverseBooks representation writing advice research research advice antisemitism tw nazi mention tw asks culture