hopelesslehane:

ladyeternal178:

saladmander:

ok but like when did self-sacrifice become synonymous with death? writers seem to have forgotten that people can make personal sacrifices for the greater good without giving their lives. plots about self-sacrifice and selflessness don’t always have to end in death. suffering doesn’t have to be mourning. you can create drama and emotional depth on your show without killing everyone. learn to explore the meaning of living rather than dying

Death. Is. NOT. The. Only. Way. To. Advance. The. Narrative.

Fun things to sacrifice for your loved ones in your free time that don’t include death and actually set up for a whole new season of high level drama:

- humanity (mostly applicable to sci-fi/supernatural genre)
- memories (mostly applicable to sci-fi/supernatural genre)
- love for that special someone (mostly applicable to sci-fi/supernatural genre)
- emotions (mostly applicable to sci-fi/supernatural genre)
- rank/position/
- yourself/your brain/your skills (give yourself over to bad guys and become their brainwashed agent so your loved ones live)
- years of bloody ruthless traditions to make way for peace (hi lexa and fuck jroth tbh)
- freedom (includes that of speech/mind/will)
- your grandpa’s fortune
- hell even material possessions have that girl sacrifice her goddamn house so they can pay off her gf’s student loans or whatever juST STOP KILLING CHARACTERS TO FURTHER YOUR PLOT

How to make a character’s death sadder

fantasy-writing:

how-to-art:

generic-heroine:

bobby-phantom:

asbehsam:

socialjusticeprincesses:

peachdoxie:

thehellspawnhero:

shuttle-fly-blogs:

iceb0x:

stevraybro:

the-right-writing:

1.  Don’t have them die of old age after a long, fulfilling life. Many people don’t even think of this as sad (note that this can still work if you have enough of the other factors).
2.  Leave one of their major goals unfinished. The more enthusiastic they are about completing the goal, the sadder.
3.  Give them strong relationships with other characters.
4.  Make them fight against whatever is causing their death. Their ultimate loss is sadder if they struggle.
5.  Kill them in the middle of their character arc.
6.  Don’t describe their funeral in detail. Maybe it’s just me, but I find that long descriptions of funerals kill the sadness.

That’s enough Satan’s publisher…

>B)

7. If possible, try to kill them off in the middle of the story, so we had time to like them and we will have time to let the loss settle in.

8. Also, place surviving characters in a situation where having the deceased person there would help them get out. You can choose whether you will point this fact out or if you want the audience to make the connection themselves.

9. Make them die by sacrificing themselves to save someone they love from a danger created by the antagonist.

based on a few deaths that made me blub like a baby…

10. have their loved one, broken hearted, tell the team to stop fighting because “its over.” 

11. have their pet come looking for them. 

12. have their loved one perform a popular song at their funeral so it makes the fans cry whenever it’s played.

13. family witnessing the death and/or blaming themselves.

~ Mulan

so… let’s add some frustration to your dear readers’ sadness, shall we?

14. kill the character in the middle of making a joke, smiling, or expressing/experiencing joy/happiness.

15. make the character’s death slow and painful, but make them unable to call out for help even though they can literally see the other characters nearby.

16. after killing the character, have others think the character had betrayed them so they’d always hate them and remember them as traitors and never say nice things about them… Give your readers no chance to have group-therapy with other characters by making them the only ones who know the truth.

17. right before their death, show a side of them nobody has seen. (someone who is always tough and brave being genuinely scared of dying alone; someone who is always laughing being in tears before dying, etc.)

18. make them the only person who knows a big important secret that would help other characters in the story.

19. have them being lied to before dying. (thinking they’ve been betrayed; thinking they weren’t loved; thinking they’ve lost their loved ones, etc)

20. make the character very enthusiastic/passionate about a certain goal, constantly put stress on their goal, have them die unexpectedly before they can reach their goal. 

and the best one…

21. have another beloved character kill them–better be a close friend to your character, one that absolutely nobody suspects, one that everyone can’t help but love, one who is always enthusiastic about things and encourages your character. THEN

• reveal the truth only later when it’s too late and the a-hole character has already escaped.
  
• have a cowardly character know the truth and never tell anyone else
  
• have another character find out the truth and have them die before revealing it to others. 
  
• have the said character ^ not actually die, but go through something so they’d forget the friend of the deceased character is actually an asshole. 
  

This way only your readers will know the truth, thus the frustration would be… most enjoyable for you.

Satan out.

based off of the one character death that physically pains me to think about

23. Make the character a very loving and caring family person, whether it’s with their siblings or parents, their partner, or their children. Make them talk about how much their family means to them frequently. Kill them off before they could even say goodbye.

Bonus points if they have a very young child who means the world to them.

More bonus points if their family member kills them, or they believe their family member to have killed them.

THIS MAKES ME SO INSPIRED TO FINALLY KILL THE SINNAMON ROLL IN CRITICAL SURVIVAL

24. After their death show characters who helped them and who the readers believed were their allies or friends celebrate their death and make jokes of it.

25. And another for not killing their body: Have them come close to death and lose their memory, and after have them work/with for those they were fighting against and find a family there. Their past allies/friends are completely aware of this, except for the person who cared for them most who is drowning in despair believing that they’re dead.

Have you all been playing a bit too much Darkest Dungeon?

Here’s some gruesome suggestions for your more deadly prose.